As world travelers for nearly two decades, Rising Appalachia have merged multiple global music influences with their own southern roots to create the inviting new folk album, Leylines. Remarkably the band has built its legion of listeners independently -- a self-made success story that has led to major festival appearances and sold-out shows at venues across the country.
Founded by sisters Leah and Chloe Smith, the band established an international fan base due to relentless touring, tireless activism, and no small degree of stubborn independence. However, for the first time, they opted to bring in a producer for the new album, teaming up with the legendary Joe Henry on the sessions. These were also their first recording sessions outside of the South. For 10 days, all six band members lived and recorded in a castle-like studio in Marin County, California, overlooking the Pacific Ocean. As a result, a sense of unity and immediacy can be heard throughout their seventh album, Leylines.
“As far as recording goes, we’re open creatively, but we’ve often preferred elements of live recording. I mean, we’re folk musicians at our core,” Leah explains. “The experience of playing music together in one room, looking at each other, is the bedrock of what we do and how we’ve grown up with music. I think Joe very much felt that way as well. He was very clear at the beginning that he was going to encourage us to have as many element of a live recording as possible.”
Although Leah and Chloe Smith consider their voices as their primary instrument, Leah also plays banjo and bodhran on the album, while Chloe plays guitar, fiddle, and banjo. They are joined on Leylines by longtime members David Brown (stand-up bass, baritone guitar) and Biko Casini (world percussion, n’goni), as well as two new members: West African musician Arouna Diarra (n’goni, talking drum) and Irish musician Duncan Wickel (fiddle, cello). The sonic textures of these two cultures are woven into Leylines, enhancing the stunning blend of folk, world, and urban music that has become Rising Appalachia’s calling card.
“Our songwriting ties into those traditions as well,” Chloe says. “With some of our original songs, it’s a reflection of the times. We’re folk singers and we consider this a folk album, so there’s a lot in there. There’s word of politics, of being women in the music industry, as well as a lot about our lives on the road.”
Indeed, Rising Appalachia has toured British Columbia by sailboat, traversed the U.S. and Europe by train, and engaged in immersive cultural exchange programs in Bulgaria, Ireland, Southern Italy, Central and South America – not to mention the countless miles in a van. Tour highlights include: Hardly Strictly Bluegrass in San Francisco; Music Hall Williamsburg in Brooklyn, New York; Boulder Theatre in Boulder, Colorado; and the Showbox in Seattle, Washington. The band consistently sells between 400 and 1500 tickets wherever they play, a testament to their loyal fan base.
Leah and Chloe grew up in urban Atlanta as the city’s hip hop scene began to flourish. They absorbed those rhythms through the music they heard at school, then traveled with their family to fiddle camps all across the Southeast on the weekends. The young girls weren’t all that interested in the old-time playing, but their parents were incredibly devout in their study and practice of Appalachian music.
After high school, Leah decided to postpone college and travel internationally. Feeling homesick while living in Southern Mexico, she looked for a connection to her past and taught herself how to play banjo. “I realized that I wanted something from home that I could share, something that would tell people a bit more of the story of where I came from, other than the news,” she recalls.
A few years later, when Chloe came to visit her abroad, Leah offered some clawhammer banjo lessons. They didn’t necessarily realize it at the time but a musical partnership had been established. Upon their return to the United States, they recorded an album, which they considered an art project, to sell whenever they sang at farmer’s markets. They printed 500 copies, figuring that would last them a lifetime. However, when a local college professor heard them singing at a Christmas party, he booked them as part of a Celtic holiday concert in Atlanta. After two performances, every CD had been sold.
Surprised and overwhelmed, they mulled over a career as full-time musicians, then realized that performing could be just one component of a greater overall vision – one that includes advocating for social justice, racial justice, environmental justice, and Indigenous rights.
“We’re able to filter in so many of our passions into this project,” Chloe says. “We do a lot of activism work. We do a lot of outreach. Leah is a visual artist and she can funnel her visual eye into the project. I love to write, so that comes in. There’s a big container and canvas for our life’s work here. Music is part of it, but there are a lot of other creative vehicles that are driving Rising Appalachia.”
Special guests on Leylines include folk hero Ani DiFranco, soulful songwriter Trevor Hall, and jazz trumpeter Maurice Turner. The album title alludes to the concept of invisible lines believed to stretch around the world between sacred spaces, bonded by a spiritual and magnetic presence. That deep sense of connection is key to understanding Rising Appalachia as a whole. “Rising Appalachia has come out of this idea that we can take these traditions of southern music – that we’ve been born and raised with – and we can rise out of them, creating all these different bridges between cultures and stories to make them feel alive.” Leah says. “Our music has its foundation in heritage and tradition, but we’re creating a music that also feels reflective of the times right now. That’s always been our work.”
“[Ayla’s] relationship with the earth is imprinted in her music… expansive and intriguing.” ~ Billboard
Ayla Nereo is as a voice for the planet, a modern bard and beacon of light, singing directly from her soul, blooming like a sunrise to share her gift. With lyrical poetry splashing like paint across a canvas of sound, Ayla builds layers of vocal melodies into majestic loop-pedal harmonies, weaving syncopated threads of guitar, kalimba, piano, and percussion.
Ayla’s music is a genre unto its own, as she allows sounds to dance between vocal looping, produced beats, live drumming, orchestral string arrangements, Celtic melodies, and even dashes of hip-hop wordplay. With an uncanny ability to disarm and crack open the heart, Ayla’s lucid storytelling and magical presence rings with love, for the depth of our humanness, and the pure wonder of life itself. Calling us to listen deeper, her songs are elegant masterpieces of lucid storytelling, with lyrics ringing as anthems and mantras for planetary healing, human evolution, hope, and compassion.
Though you’d never know it by witnessing her perform, Ayla grew up with a deep fear of singing. In her final year of college, songs began pouring through her, and it was only through the constant urging of those around her that she began to slowly share her music. Propelled by the songs themselves, Ayla’s journey of meeting those fears and singing through them has grown her into the powerful performer she is today, touching an ever-widening global audience with the inspiring magic of her songs.
A child schooled at home in the hills of Sonoma County, Ayla was raised on Cat Stevens, Bob Dylan, opera, classical music, traditional celtic songs, and ABBA -- influences which have deeply shaped her music. Touching on both the timeless and modern, she always rides the line between genres, so that her songwriting and sound ultimately cannot be compared to anyone else.
Dancing her own songs on stage as she sings them, her movement and presence gives the audience a permission to be wild, real, vulnerable, and alive. Every performance Ayla gives is its own inspired journey; an enchanting and poignant experience that holds you by the heart and doesn’t let go.
After touring 33 cities in 6 weeks with The Polish Ambassador for the first Permaculture Action Tour, she began to create her own Herbalism Action Days to connect her fanbase with their local plant-teachers and healers, to empower communities to know what medicines and foods grow around them, and support the self-reliance of individuals to reclaim their own health care and community food systems. She is excited to weave more action days into her future touring.
Ayla released her 6th solo album, the phenomenal new album, "By The Light of the Dark Moon", in the spring of 2019 via Jumpsuit Records. The album marks a stepping-out into the world arena. Dancing between genres across each song, this album is a journey of finding light through darkness, connecting to what is currently happening in our world with many collective shadows rising to be seen and healed. “By the Light of the Dark Moon,” as Ayla shares, “speaks to what becomes visible when times get darker, whether it be inside us, as a culture, or in our cosmos.” This album arrives as a beacon of inspiration, illuminating hope, awareness, and a deep sense of wonder for all of Life. As the opening track calls forth, “We the shining forest… to the darkness bring song…”. Ayla has also 2 albums with her project Wildlight (her collaboration with David Sugalski, aka The Polish Ambassador), and 3 collaboration albums.
Honing her impeccable artistry and craft over the years, Ayla has developed a deeply loyal fanbase, one that has recently seen exponential growth into widening circles across the planet. With a nationwide tour supporting the album release, a full summer of notable festival appearances, a sold out appearance at Red Rocks with Nahko & Medicine for the People and Trevor Hall, and her second European tour on the horizon, Ayla's music is reverberating from a west-coast transformational niche into larger global audiences, to inspire and uplift the hearts of humanity. Her music is also seeing rapid and increasing growth throughout Europe, as well as Canada, Australia, and dozens of other countries.
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